ANCIENT PICTOGRAPHS

ancient pictographs and petroglyphs

PETROGLYPHS AND PICTOGRAPHS IN MONTANA usa

WORLD WIDE ANCIENT GLOBAL LANUGAGE

Ancient civilization built similar megalithic constructs all over the world in the far distant past. There is mounting evidence that these megalithic structures were destroyed by a cycle of cataclysmic events as described in the Indigenous Original Teachings.

Therefore the same language appears in these ancient glyphs, on ceremonial objects, on calendars and in art forms in conjunction with evidence of these ancient world wide civilizations. Language experts refer to the American examples as Pre-Classical Sanskrit. Several of the symbols of this ancient language are carved into and painted on granite and limestone walls here in Montana, USA.
https://www.youtube.com/watch?v=LIvge2-y35I&app=desktop

All of the photos above are by Julie Ryder.

Ancient Knowledge Embedded in Rock Art in Montana, USA

Rock Art reflects the legends, vast knowledge and events in the lives of the People who inhabited and traveled through Montana during the changing epochs of time. Indigenous Elders teach that the Ancient Ones left knowledge and messages for us embedded in these images. We are beginning to understand the impact of these images as many of them were created by Shamans.

Some pictographs were re-painted during ceremonies each year until it was forbidden at the turn of the
last century. Much older images are engraved into the rock surfaces.

Vast information experienced through several sensory channels simultaneously is embedded into ancient rock art. Accessed through physical contact these encyclopedias of ancient wisdom are overwhelming at first touch.

Holographic images, harmonic sound frequencies, deep emotional connections, internal and surface physical touch sensations are experienced simultaneously.

Leon Secatero taught the protocols of the Original Instructions handed down for generations from the Star Nations.

Then Leon took us to glyphs in New Mexico of DNA codons and hand prints with three, four, five and six fingers. He instructed us that if we chose to make a commitment to work with the Light Beings and the Star Nations that we could follow the protocols and then touch the hand prints. This was my first experience with multi-sensory downloads.

In the book Seth Speaks by Jane Roberts, which I first read in the 1970's, Seth explains in great detail the genesis of rock art and the nuances of communication modalities of the ancient race who created these enduring art forms.

I have read the Seth books several times over the years and highly recommend Seth Speaks by Jane Roberts. Seth explains how the ancient sensory language was embedded at 22:10 minutes in this video.
https://www.youtube.com/watch?v=ci2OWn7jtqY

LEON SECATERO TRANSLATES ancient glyphs in montana

In 1998 Leon Secatero gathered the Indigenous Elders from around the world to New Mexico to perform ceremonies for the Changing of the World. The Elders knew the ceremonies to re-set time They shared knowledge, read the ancient glyphs in the canyons of Leon's homeland and told the stories of their tribe's migrations from the stars. Leon informed the Elders that they were invited by the Star Nations to this place at this exact time.

Leon Secatero translated the ancient petroglyphs on the Shaman Rock during a visit to Helena, Montana, USA in 2008.  Leon pointed out the the Changing of the World Symbol on the top of the rock. This same hourglass symbol is shown below in several forms and multiple places.

Leon also interpreted the star maps on top of the Shaman Rock. He explained how the rock had been moved. When we imagined the original position of the rock the star alignments were obvious.

Leon described the upcoming event of our sun crossing the center of the Milky Way Galaxy as he pointed to crystalline star configurations and star maps across the top of the Shaman Rock. This was an example of the Star Nation Language which has been handed down through Indigenous people worldwide.

Original language was transmitted by touching a glyph and receiving the information of an entire concept contained in a single glyph. This is the reason that these glyphs appear to be scattered all over the face of a rock and not in any linear fashion. It is not words made up of individual letters or sounds which represent something else. Later permutations of this language were carved in stone in a linear style which is interpreted starting a the bottom and moving upward from right to left...up a line which is read left to right...up a line right to left.

This Star Nation Language appears in the crystal skulls as shown in photographs on the first page of this website.   See Crystal Skulls Page.

Where Leon's staff is touching the rock there are carved glyphs similar to those presented in exhibitions by Klaus Dona. Dona has presented several examples of this ancient writing that he calls "pre-sanskrit".
These same glyphs are carved into rock and stone sculptures all over the world proving there was an ancient global civilization or at the least global contact. Pre-sanskrit symbols identified as the same language have been verified in Ecuador and Columbia in South America, Utah, Montana and Illinois in the USA, Malta, Australia and Italy.

See Klaus Dona's most excellent presentation Hidden History 2014 at:
https://www.youtube.com/watch?v=R4nbvcEx_cU 23:17 minutes.
https://www.youtube.com/watch?v=lFHwKmHfdo8
Photograph by Julie Ryder

How to access the world wide ancient global language

The World Wide Ancient Global Language symbols are depicted as two dimensional constructs often carved into stone and later painted and then glazed on clay. Each symbol holds vast knowledge transmitted in the form of sound, light, tactical knowing, visual holograms, and somatic sensations within the human receiver. Consciousness is tuning into the vast quantum field that surrounds us. These symbols function like a scanner and tune us to the exact frequency in order to download.

MONTANA CORRELATIONS WITH LAS VEGAS PICTOGRAPH

Nathaniel Hill Original Las Vegas Pictograph photo:
https://www.facebook.com/photo.php?fbid=1080657032113941&set=gm.1367147276758416&type=3&theater

Wayne Herschel: Las Vegas Pictograph
https://www.facebook.com/wayneherschel2/posts/1454581398005836

Wayne Hershel identified the white figure with sun rays around his head as the Orion Man
Las Vegas Pictograph
https://www.facebook.com/wayneherschel2/posts/1454581398005836

ACE downloads the knowledge contained in the Hellgate Pictographs in Montana, USA
Note the row of triangles between the parallel lines below ACE;s hand.
https://www.galacticfacets.com/ancient-pictographs.html

Wayne Herschel analysed a pictograph panel near Las Vegas that I shared to my FB site. The neuropathways in my mind fired into overdrive connecting images of pictographs in Montana with Wayne's narrative of the Las Vegas panel.
Wayne interprets the seven triangles connected along a vertical line in the Las Vegas glyph as seven man made mounds yet to be discovered. This glyph is almost identical to a similar image on the Hellgate Pictograph site in Montana where the triangles are contained within two lines. The Hellgate pictograph panel is in the mountains above the Shaman Rock along the Missouri River. There are several pyramids and at least one pre-pyramid with causeways that would have emptied into the Missouri River both upriver and downriver from the Hellgate Pictograph site.

Double Cross symbol on the side of the Shaman Rock (photo left)

Engraved into the granite stone on the side of the Shaman Rock in Montana is a double cross that looks identical to the double cross on the left side of the Las Vegas panel.

Sun Ray Head at Hellgate Pictograph site in Montana, USA

Sun Ray figure holding an ovoid ray symbol
Pryor Petroglyph site in Montana, USA
Photograph by Julie Ryder
https://www.galacticfacets.com/crystal-skulls.html

Although the sun ray head on the right side of the Hellgate Pictograph panel has been covered with graffiti, I distinctly remember that there are several such ray figures painted in ochre on this panel. Wayne Herschel identifies these as Orion Man figures in the Las Vegas Pictograph.

I remember photographing a similar sun ray head on a full figured glyph at a pictograph site in the Pryor Mountains of Montana. An ovoid ray element appears in the left hand of this Pryor Figure. A similar ray ovoid symbol is lit up on the temple of the crystal skull that was discovered in a pyramid in Wisconsin. Another similar ovoid ray is on a petroglyph found deep underground in Ecuador.

Crystal skull that was found in a pyramid in Wisconsin shows a ovoid ray symbol on the right temple
https://www.galacticfacets.com/crystal-skulls.html

Ovoid Symbol petroglyph on a stone found deep in a tunnel in Ecuador.
Klaus Dona describes this rock glyph as an example of the same language from a global civilization that existed over 6,000 years ago. This language has been found on rocks and clay in France, Easter Island, Malta, Turkey, Italy, Australia, Illinois, Utah and Montana.
https://www.youtube.com/watch?v=R4nbvcEx_cU27:00 minutes

These images and correlations with my own research in Montana flashed through my mind fast forward in the first few seconds after viewing the Las Vegas panel.

Wayne Herschel: Las Vegas Pictograph
https://www.facebook.com/wayneherschel2/posts/1454581398005836
Pictographs in Montana
https://www.galacticfacets.com/ancient-pictographs.html
Ovoid Ray Symbols in the Crystal Skull
https://www.galacticfacets.com/crystal-skulls.html
Nathaniel Hill Original Las Vegas Pictograph photo:
https://www.facebook.com/photo.php?fbid=1080657032113941&set=gm.1367147276758416&type=3&theater

CHANGING OF THE WORLD SYMBOL -
A torus

Ancient civilizations built similar megalithic constructs all over the world in the far distant past.Therefore the same language appears in these ancient glyphs, on ceremonial objects, on calendars and in art forms. Language experts refer to the American examples as Pre-Classical Sanskrit. Several of the symbols of this ancient language referred to as the Star Nation Language are carved in and painted on granite and limestone walls here in Montana, in the USA.

Changing of the World Symbol is an hourglass configuration that represents a wormhole/torus/tunnel between dimensions in time and space. This symbol is found throughout the ancient world and more recently discovered in crop circles and cymatic symbols. Changing of the World Symbol is a hypothetical topological feature that would fundamentally be a shortcut through space/time. A wormhole is much like a tunnel with two ends, each in separate points in space/time.

The Changing of the World is drawn in the sand over and over as the stories of the Ancient Ancestors are told. This symbol designates the end of one World and the beginning of the next. If the top cross bar is missing that world has not occurred yet according to Leon Secatero, former Navajo Headman.

Since I first wrote about the Changing of the World Symbol in 2012 several examples have been sent from friends around the world. Thank you all for your contributions to the growing body of knowledge.

By far the best documentary ever - THRIVE - illustrates the function and implications of the TORUS. No wonder this configuration is found throughout the ancient world. It is the basis of all knowledge.
https://www.youtube.com/watch?v=lEV5AFFcZ-s

Michael Pell suggests that the advanced technology of the ancient civilizations may have recorded a quasar that resulted in catacysmic events which changed the world.

Torsion Field Energy and Sound
Michael Tellinger:
https://www.youtube.com/watch?time_continue=2&v=p8KWp61co1A

The Geometry of Time
by Scott Onstott

The geometry of time... by Scott Onstott

Note the Changing of the World Symbol on the far right glyph. This petroglyph is found in Montana and is the story of the Changing of the Five Worlds.

See below under the heading CHANGING OF THE WORLD GLYPH for a complete translation.

The Changing of the World symbol confirmed by Leon Secatero on the top of the Shaman Rock near Helena, Montana in the USA.
Photograph by Julie Ryder

Navajo Ceremonial mask for the Sodizon Ceremony is covered with the Changing of the World Symbol.

The Changing of the Worlds symbol on a sandstone cliff overlooking Chaco Canyon, New Mexico, USA. It is not permitted to take photographs of the extensive glyphs in the Holy Grounds which are part of the ceremonies in New Mexico. This photograph was taken after the ceremonies at a open tourist area in Chaco Canyon.
Photograph by Julie Ryder

Changing of the World Symbol on the shoulder of this stone carving found in Columbia, South America.
Klaus Dona verified that this is the pre-sanskrit language that is found around the globe.
https://www.youtube.com/watch?v=lFHwKmHfdo8

Changing of the World Symbol appears in a crop circle in Lockeridge, England in 2000.
Photo by Lucy Pringle

The Changing of the World Symbol is depicted on the top of the Navajo Calendar for the Next 500 Years. Leon Secatero explained this symbol in this position represents the changing of the Sixth world into the Seventh world. LeonSecatero taught that when the top bar was missing it was because this symbol denotes a future time of the changing of worlds that had not manifest in this reality at the time the glyph was drawn.

Each individual glyph carries a complete concept. Each panel of glyphs an encyclopedia.

The glyphs in the calendar above circling the central line also have numerical value starting at the bottom and moving upward on the left are numbers 1-5. Starting at the bottom again and moving upward on the right are numbers 6-10.
See Conversations with Elders Page

Cymatic representations of the Changing of the World Symbol formed in the four cardinal directions according to a specific sound frequency.
See explanation of cymatics on the
See Ancient Technology Page.

This Pyramid Stone was found in Ecuador in the same location as a rock in-laid with an ancient world map depicting the continent of Atlantis.
In this pyramid stone there is a phosphorescent green eye inlaid at the top of a thirteen step pyramid. This stone is the same configuration as the pyramid that appears on the face of the US
one dollar bill.
http://www.youtube.com/watch?v=XmMwo1Xzgus

On the bottom of the pyramid stone is a configuration of the belt of Orion and four glyphs.
At the far right is the changing of the world glyph the top of which is not closed because at the time of the carving the event described had been predicted but had not occurred yet.
A German linguist expert translated this as "the son of the creator comes " which is close enough to the concept of the changing of the worlds. Every major religion purports a belief system based on the return of the gods just before or after an earth changing event.
http://www.youtube.com/watch?v=XmMwo1Xzgus
The second symbol will be familiar to Masons as the Masonic Compass also found on the light green stone found in Illinois pictured below.

Changing of the World symbol carved on rock found in Burrow's Cave in Illinois, USA.
http://www.illinoiscaves.com/discoveryBcave.htm

Engraved on this old Chinese Astronomical coin are the Changing of the World glyph on the right and the Hopi Migration symbol on top and bottom.

Inscribed in the central lower left of this Ancient Viking Rune Calendar Stone from Norway is the Changing of the World Symbol without the top bar. This configuration is exactly how it is depicted on the top of the Navajo Calendar and the bottom of the pyramid stone found in Ecuador. The missing top bar indicates that the Changing of the World Cycle had not completed when the stone was carved.

AW Skelly sent this photo to me on Facebook in reference to the Changing of the World symbol. His description of the hourglass glyph in the upper left is that ..."The mound builders telling the story of the great flood using spirit faces and the horned water panther to convey the story. Do you see your glyph? The x with closed ends-This is from Salt Rock WVa.

The Changing of the World hourglass symbol has recently been discovered on the Caribbean Island of Montserrat. The central glyph combines the hourglass symbol and the double spiral.

"The strange petroglyphs were discovered on the island of Montserrat and depict a large number of geometric shapes. The most mysterious carvings found on the Island are those of strange humanoid beings which have caused confusion among many. What ancients were trying to say through the carvings remains a mystery."
http://www.ancient-code.com/hikers-discover-ancient-stone-carvings-of-strange-beings-and-geometric-shapes-at-montserrat/

Replica of Torazuka Kofun - Honshū, Japan — in Japan.

Note the Changing of the World hourglass symbol on the back wall.

SQUATTING MAN SYMBOL

Wayne Herschel posted this photo on Facebook with the notation: Dogon tribe in Africa version has Hourglass built in.

The hourglass Changing of the World symbol is painted onto a symbol the Dogon call the Kanaga symbol and the rest of the world calls this the Squatting Man Symbol on the left in this photo.

This glyph on the walls of Chaco Canyon in New Mexico, USA intrigued me. This Squatting Man symbol is painted on the tribal staff of a local tribe to indicate their clan sign related to the genetics of their tribe.
Photograph by Julie Ryder

Dogan Tribal ceremonial headdresses are the same Kanaga (Squattting Man) symbol

Squatting Man or what the Dogon call the Kanaga symbol is found world wide.
lhttp://www.viewzone.com/clovisart22.html

Plasma physics explanation of pictographs is an attempt to explain how in man’s prehistory recordings of high-energy-density phenomena ( aurora fields) could have been carved on rock in an accurate, systematic, and apparently temporally reliable fashion.

Eighty-four distinct high-energy-density Z-pinch categories have been identified in petroglyphs, nearly all of which belong to the archaic class.
http://www.theplasmaverse.com/pdfs/Characteristics-for-the-Occurrence-of-a-HighCurrent-ZPinch-Aurora-as-Recorded-in-Antiquity-squatter-squatting-man-Anthony-Peratt.pdf

Anthromorphic or man-like style of petroglyph has been named a “squatter. The photo above that I took in Chaco Canyon is an example of a squatter type glyph.
https://www.thunderbolts.info/wp/2016/04/08/plasma-scientist-anthony-peratt-meets-the-electric-universe/

Plasma Discharges Recorded in Ancient Petroglyphs
https://www.youtube.com/watch?v=sH11EJRFcH0

Richard Cassaro has brought together illustrations of statues from around the world some of which are in the same pose as the Squatting Man glyphs that are aslo found world wide.

Another illustration by Richard Cassaro demonstrating the Squatting Man Pose in statues around the world.

Ted Talk describes the 32 symbols found all over the world.
www.youtube.com/watch?v=hJnEQCMA5Sg

WORLD WIDE ANCIENT LANGUAGE

GLYPHS IN MONTANA MATCH GLYPHS IN ILLINOIS WHICH MATCH ANCIENT SANSKRIT

In 2011, I published many of the photographs shown here of glyphs in Montana that matched the ancient global world wide language promoted by Klaus Dona. As evidence I posted photographs of the petroglyphs found in Burrows cave in Illinois, USA and matched them to the glyphs in Montana.

The following quotes are translated roughly from German. The point that Herr Schildmann makes is that the inscriptions found in Burrows Cave in Illinois are an archaic Sanskrit which is more like the Pre-classical Vedic inscriptions than later classical Sanskrit found in the Indus Civilization. The Indus Valley Civilization was a Bronze Age civilization from 3300–7,500 BCE mainly in northwest Indian subcontinent including present day Pakistan, northwest India and also in some regions in northeast Afghanistan.

On December 30, 2015 I posted the following:
Herr Schildmann writes " "There is a huge difference between texts in authentic paleographic writing and those based on oral tradition. Here now Indus and Burrows Cave texts versus Vedic and Classical Sanskrit literature, the latter recorded after millennia of oral tradition. The former ones are written in their own original script (Indus deciphered 1994, Burrows Cave deciphered 1997), both composed in archaic Sanskrit, in telegram style, while the subsequent later ones reached recording in an already sectarian India, having suffered from mystification, adaptation, poetical manipulation..."

Herr Schildmann was the President of the Society of German Linguists. He was the first to decipher the Indus Valley texts which are mainly written in phonetic archaic or proto-Sanskrit. Since 1987 he has consistently claimed that the even more fascinating Burrow Caves (Illinois, USA) texts are also
Proto-Sanskrit.
Quoted from: https://cassiopaea.org/forum/index.php?topic=19067.30

The story of Russell E. Burrow's discovery in 1982 of Egyptian style artifacts, gold, coins and carved stone is convoluted and controversial. Although mainstream archaeology wrote it all off as a hoax it was recently reported that there was a Swiss bank account in his and his two partner's name with over five millions dollars deposited.

When Klaus Dona reported this on Youtube the site was immediately closed for excavation by a University. Apparently Burrows only discovered a small part of the cave and then blew up the main entrance.
See 1:07:35 minutes on this video:
https://www.youtube.com/watch?v=zs2bQHpy7uk

A consultant from Russia who writes a website on Megaliths has informed me that the ancient Russian language and ancient Sanskrit are almost identical. Comparisons between the largest megalithic structures in the world that have been rediscovered in Russian and the megaliths in Montana are described on the
Montana Megaliths page.

SIX and eight DIRECTIONS SYMBOL

The Eight Directions Symbol carved into a petroglyph in New Mexico was explained by the Elders as being a frequency pattern. When I touched the glyhph I felt/heard/experienced the essence of the frequency. I took this photograph in New Mexico in 2006 with permission.

Cymatic symbol of the Six Directions

The third symbol carved on the bottom of this ancinet pyramid stone found in a cave in Ecuador is the a similar Six Directions Symbol.
http://www.youtube.com/watch?v=XmMwo1Xzgus

Zecharia Sitchin translated these symbols from the Sumerian cylinder seals. The Eight Directions Symbol translated here as STAR is enclosed in a rectangle box just like it appears on the sandstone block in New Mexico.

Eight Directions Symbol appears on this cymatic chart as an F in the scale of C2.
https://yngstls.wordpress.com/2014/02/06/music-notation-with-cymatics/

See Ancient Technology Page.

Brick of ziggurat with dog paw impressions from the old city of Ur. From The 3TH DYNASTY OF UR (about 2112-2004 BC) now in the British Museum.

The Eight Directions Symbol appears in the center top line and the Six Direction symbol in a square box in the upper right .

double and triple cross symbol

The Cross of Lorraine (French: Croix de Lorraine) was originally a heraldic cross. The two-barred cross consists of a vertical line crossed by two shorter horizontal bars. In most renditions, the horizontal bars are "graded" with the upper bar being the shorter, though variations with the bars of equal length are also seen.

Double cross glyph on side of the Shaman Rock near Helena, Montana.
Photograph by Julie Ryder

Double cross pictograph painted on a large panel of glyphs in central Montana.

The double cross is etched into a rock found in a cave in Illinois in center of the left column. (See photo right)
The quartered circle at the bottom of the right column is used as the sign of the traditional medicine wheel.
See this same sign carved into the Shaman Rock in the black and white photograph below right.
Photograph by Julie Ryder

Another photo from the Klaus Dona video which references this same writing found in Illinois, France, Malta, Australia, Italy and Turkmenistan. Note the triple cross on the left.
See Crystal Skull Page for photographs of this same double cross image appearing in the crystal skull.

A triple cross appears as the last glyph in the third column. This stone was discovered in the Burrows cave in Illinois.

Inscriptions on stone found underwater in a megalithic site of Okinawa show double cross glyph...bottom of pink stone on lower right.
https://www.facebook.com/dhani.irwanto?fref=photo
Video presentation of Yonaguni at this link:
https://www.youtube.com/watch?v=JSiDAKLfs8A&feature=share

These petroglyphs found on stones in Burrow's Cave in Illinois show several glyphs of the Ancient Global Language. The triple cross on the left image near the center of the rock is found on the Shaman Rock near Helena, Montana. The Cross Within a Circle Symbol found on the upper side of the image on the right is explained below.
On December 1, 2015 I was asked to join the Faram Research Foundation Facebook page. Looking forward to more knowledge and information about the Burrows Cave site and surrounding areas which compare with the artifacts found in Montana.
https://www.facebook.com/groups/544602289035324/?notif_t=group_added_to_group

Double cross appears in holographic form in the Light Crystal Skull.
See Crystal Skull Page

Photographs by Julie Ryder

ORIGINS OF THE World Wide Ancient Global Language

http://www.ancient-code.com/this-is-the-oldest-writing-system-in-the-world-and-predates-ancient-sumerian-writing/

In October 2015, I came across an article about the undecipherable script of the Vinca culture that flourished from about 6000 BC to 3000 BC in Yugoslavia and western Romania. Evidence shows that the Vinca were an early, very sophisticated Goddess Culture. Several of these symbols are familiar to me as I have seen them on numerous examples of the ancient global language. A few of them are depicted in various forms on this website.
http://www.messagetoeagle.com/mysterious-ancient-vinca-culture-and-its-undeciphered-script/

The Tartaria Tablet dates around 5,500 BC. They were found in Romania and are remnants of the Vinca culture. This single tablet contains the Changing of the World Symbol...the double cross..and two chevrons.

4,000 YEAR OLD PICTOGRAPHS IN SIBERIA MATCH MONTANA

A recent article in the Siberian Times featured photos of a pictograph site in Siberia that looks just like sites I have photographed in Montana, USA. The Siberian Times reports that "Vivid red and orange paintings by Bronze Age artists go on show for the first time."

The article continues "The experts kept the ancient art gallery discovery under wraps for three years to preserve the integrity of the site as they returned for more trips to study the intriguing drawings. The paintings were found many years ago by hunters, but it was only in 2013 that scientists were alerted. " http://siberiantimes.com/science/casestudy/news/n0682-4000-year-old-art-gallery-found-in-siberia

Pictograph in Siberia

Pictograph in Montana

Pictograph in Siberia with same symbols design on archaeologist's hat

Pictograph in Montana

Pictograph in Siberia

Pictograph in Montana

GLYPH IN NEW MEXICO MATCHES GLYPHs IN THE BRITISH ISLES and italy

I took this photograph of the Orion glyph in New Mexico in 2007 with permission from the Navajo Elder after the yearly ceremonies. The design is extruded (protrudes outward from the stone) as opposed to carved into the stone like the similar design in the British Isles and Italy. I photographed other glyphs in the same area in New Mexico that were carved into the stone.

"The Camunian rose (or in Italian Rosa camuna) is the name given to a particular symbol represented among the rock carvings of
Val Camonica in Italy. It consists of a meandering closed line that winds around nine cup marks. It is engraved in the form symmetrical, asymmetrical or swastika."
http://en.wikipedia.org/wiki/Camunian_rose

The "Swastika Stone" is a stone adorned with an ancient sun symbol located on the Woodhouse Crag in West Yorkshire, United Kingdom.

This design is unique in the British Isles according to Wikipedia. However, the same glyph appears in Italy and New Mexico in exact detail including the nine cup marks.
http://en.wikipedia.org/wiki/Swastika_Stone

This star map was illustrated by Wayne Herschel.
Watch as Wayne explains the relationship of this symbol to the Orion Star constellation and to his latest discoveries about Atlantis at 29:44 minute on the video he released in November, 2018.
https://www.youtube.com/watch?v=JxXNKaqAroM&fbclid=IwAR0QAZbKH-lZYy5crncEOaBq56mO4hiT9cO-tRuKWV1wEizJXZ5eoAb8myY

cross within a circle symbol

Cross within a circle symbol is found in ancient pre-historic cultures. Currently, the same symbol is recognized in astronomy as a representation of the Earth, but not the Sun, which is recognized by a
"point-in-circle" symbol. Wikipedia

Etched on the side of the Shaman Rock where Leon Secatero is standing in the photo at the top
of this page is a petroglyph of a cross within
a circle.
Next to the cross within a circle pattern is a glyph of concentric circles on the left often depict solar maps indicating the position of the planets at a specific moment in time.
Photograph by Julie Ryder

Cross within a circle which is the traditional medicine wheel design is found in Australia as part of a complex that is believed to be older than Stonehenge.
https://www.facebook.com/340478969357448/videos/998980593507279/
See Ancient Technology Page for more details.

Cymatic symbol depicting 13.37 hertz which is the musical note A is a cross within a circle (center).

Cross Within a Circle Found On Mars By Opportunity NASA, Oct 2014. This unique formation was captured by the microscopic imager camera on the Opportunity Rover.
http://www.ufosightingsdaily.com/2014/10/cross-in-circle-found-on-mars-by.html

Thunderbird with red lightning bolt found in March of 2016 on the second terrace of Mystery Rock Complex (original photo left by Bill Ryder). The glyph was about 20 feet up on a tan and pink granite wall.

Enhanced drawing over photo which emphasizes the gear type cross within a circle mechanism imprinted on the right jaw (photo/drawing right).

Antikythera Mechanism and Montana Glyphs

The Antikythera mechanism is an ancient analog computer designed to predict astronomical positions and eclipses for calendrical and astrological purposes. This mechanism is over 2,000 years old and built the Greeks. "The researchers also show that the device could mechanically replicate the irregular motions of the Moon, caused by its elliptical orbit around the Earth, using a clever design involving two superimposed gear-wheels, one slightly off-center, that are connected by a pin-and-slot device."
http://www.livescience.com/1166-scientists-unravel-mystery-…

Similar patterns of this gear type shape have been found embedded or imprinted into granite stone
on the cheek of the Thunderbird at Mystery Rocks and the behind the Robotic Watcher at Giant's Playground.
See Megaliths in Montana USA Page for information about the sites where these glyphs were discovered and about the Native American Legends that confirm their interpretations.

HOOKED X PETROGLYPH AT THE MONTANA MEGALITHS

Russell Mikesell discovered a hooked X on a pillar at Nimrod Complex in the Montana Megaliths in 2018.

"e" glyph discovered in pyramid in bosnia and in pictographs in montana

Excavations of the Pyramid of the Sun in Bosnia have uncovered the stone pictured below.
Researchers' rigorous investigations at the Bosnian Pyramid Complex have resulted in the public presentation of 89 scientific papers at five scientific conferences in seven years

E GLYPH IN BOSNIAN PYRAMID

Megalithic blocks in the underground tunnel network have carved symbols that have been covered by conglomerate material for more than 34,000 years according to the radiocarbon dating.
http://piramidasunca.ba/eng/latest-news/item/9788-science-proof-fence-resoundingly-breached-89-scientific-papers-delivered-at-five-international-scientific-conferences-on-the-bosnian-pyramids.html

"E" GLYPH IN mONTANA

This E glyph with four extensions was painted near the Missouri River in Montana. The site is within the Earth Energy Grid Corridor.
See Earth Energy Grid Page.
Photograph by Julie Ryder

e glyph discovered in illinois

The E glyph as well as the triple cross appear numerous times on this tablet found in cave in Illinois. The E is depicted at various angles.

"A team of physicists detected an energy beam coming through the top of the Bosnian Pyramid of the Sun. The radius of the beam varies with time, from 5 to 20 meters with a frequency of 28 kHz. The beam is most of the time continuous and varies in strength during the year. Its intensity is not constant but modulates, and sometimes it is even absent. The beam can move around in a radius of 15-20 meters.
After analysis of the sounds, it was found that the beam has a primary constant carrier and a second carrier over the primary.
Its strength grows as it moves up and away from the pyramid.
http://www.soulguidance.com/houseofthesun/bosnianpyramids.htm

"E" GLYPH IN MONTANA
The repeated E glyph on the Bosnia stone is found in pictographs and petroglyphs in Montana and New Mexico.
Leon Secatero stated during a ceremony in New Mexico that this glyph referred to the genetic code as it represented the separation and replication of a DNA codon.
The Bible refers to the progenitors of members of the blood line as being "From the House of..."

This extruded E glyph is found below the First Nations Buffalo Jump Site near Ulm, Montana. Leon Secatero showed us several extruded glyphs in the ceremonial grounds in New Mexico. He claimed that these were made by the very Ancient Ancestors.
Photograph by Julie Ryder

On this gold plate found in the cave in Illinois the same E glyph appears in the upper right corner.
https://sites.google.com/site/ancientegyptiansinamerica/ancient-egyptians-burrows-cave

SUMERIAN SEALS EXPLAIN THE SIGNIFICANCE OF THE "E" SYMBOL

Zecharia Sitchin explains the significance of the "E" symbol in Divine Encounters which happens to be my favorite book by this author. "Now the gods retreated to sacred precincts, the step pyramids (ziggurats) at whose center were called the "E" (literally house, abode) of the god." Page 109.

The bitter conflicts between the Annunaki called the Pyramid Wars was settled by a treaty which divided the known world into four regions. "Three were allocated to mankind, recognizable as the locations of the three great ancient civilizations of the Tigris-Euphrates (Mesopotamia), the Nile River (Egypt, Nubia) and the Indus Valley. The fourth Region, a neutral zone, was TILMUN ("Land of the Missiles") - the Sinai peninsula - where the post- Diluvial Spaceport was located." Divine Encounters, Page 109.

Leon Secatero stated during a ceremony in New Mexico that the "E" glyph referred to the genetic code as it represented the separation and replication of a DNA ladder.

spiral glyphs related to torsion field technology

Clockwise and counterclockwise spirals appear in petroglyphs and pictographs in sacred sites around the world representing the configuration of a torsion field.
Spirals rotating to the left (counterclockwise) traditionally represents the "UNMAKING" which is described as entropy...return to primal matter...destruction. Spirals rotating to the right (clockwise) traditionally represents the "MAKING" which is creating anew.
Concentric circles some with a solid center represent the solar system depict earth as the third ring.
The Changing of the World symbol is another way of viewing the double spiral glyph in three dimension.

I captured this image of a double spiral image petroglyph just outside Albuquerque, New Mexico.
A crop circle in England forms a double spiral representing the counter-rotating fields of energy.

Note the counter rotating spirals on these obelisks in Bosnia.

This world map shows the locations of spiral petroglyphs around the world. http://www.rabbithole2.com/presentation/ancient/petroglyphs_pictographs_cave_drawings_spirals.htm

A clockwise spiral formed a torsion field in an orb photograph taken in Helena, Montana.
Photograph by Coleen Baker

Two spirals that appear three dimensional were formed in a crop circle
in England.
See Orbs = Crop Circles page.

CHANGING OF THE WORLDS GLYPH IN MONTANA

FIRST, SECOND AND THIRD WORLDS

My husband and I often visit the valley in Montana where these pictographs were painted. It is the largest polychrome pictograph site in North America where 110 panels have been re-discovered so far. Leon Secatero, former Navaho Headman, taught me that the ancient pictographs are read from right to left and bottom to top.

The Changing of the Worlds Symbol is depicted in the far right glyph. At the center of this symbol is a circle representing zero.The concept of zero is not the void, nothingness or the null point. It is more the concept of the center still place vibrating with potential energy awaiting manifestation in the material world. The Navajo draw this symbol in sand emphasizing the center circle.

The Popul Vuh is an ancient Mayan text that tells of the Changing of the Worlds. This pictograph which anthropologists categorize as "shield warriors" is actually the legends of the Five Worlds exactly as described in the Popul Vuh. I typed an English translation of the Popul Vuh when I was in my early twenties so when I first viewed this glyph I knew exactly what the symbols meant.

The Popul Vuh states that ....we crossed the center of galactic plane into the First World. The First World was the world of no color. The Second World was destroyed by water. It is where the animals first appeared. The Third World was destroyed by fire from the sky when an asteroid hit the earth. The Fourth World was destroyed by high winds during a polar shift. The Fifth World is the world of green and glitter. Other legends talk about seven tribes that migrated into the Fifth World.

We are currently transitioning from the Fifth World..the world of green..the world of glitter into the Sixth World. Many of the Indigenous Elders say that the world has reached a positive time line and that this destruction may be mitigated into a transcendent world of peace.

The Sixth World will be the World of Crystal. Our current technology is based on quartz crystal which is silicone computer chips.

The First shield warrior's head has no pigment representing the world of no color. The second shield warrior's head is aqua blue--the color of water . An animal is depicted on the torso. A red head appears on the third warrior glyph--the color of fire. Around the neck of the third "shield warrior" is a bluish-green necklace medallion of the blue and green planet earth and our orbit through space. On both sides of the earth a separate circular object with two greem dots is shown depicting near earth objects.

The First World is the element of the void which is no color. The Second World is the element of water.
The Third World is the element of fire. The Fourth World is air. The Fifth World is the element of earth.

fourth world

The Fourth World shield figure has a human bird type glyph representing flight.

Similar glyphs were found on Stonehenge in England with high tech photography.

At first we could not find the Fourth World glyph. There was a blank space between the Third and Fifth World. Then as I became more adept at using the transmitter crystal to obtain information, I took the crystal to the site and positioned the crystal touching my third eye with one end of the double terminated crystal and placing the other end on the third eye area of the glyph of the First World.

I downloaded the information suddenly seeing in the crystal that the glyph was lower down and to my left.
My husband dug out the sand and there on the red sandstone wall of the canyon, between the third and fifth world glyph, was the fourth world shield figure exactly as predicted in the Popul Vuh.

The Fourth World shield figure was the same size as the others however it was very faded. The glyph was under the sand. On the right side of the chest was a winged human figure. There were clouds around this figure. The Fourth World represents air and wind.

FIFTH WORLD

This photograph is the Fifth World figure. The legends talk about seven tribes migrating into the fifth world. Notice that there are seven migration signs coming together on the left foot as the leg extends to the center of the green circle representing the Fifth World. These same migration signs are bird feet type glyphs that are all over Chaco Canyon in New Mexico.
The center of the torso is green. According to the Lakota there are five elemental forces which are fire,water, air, earth and green. Green describes the life force.
I asked the transmitter crystal to show me how the glyphs were painted here in Montana. I "saw" that the Navajo repainted them when they passed through about 1200 AD on their way south.
Photograph by Julie Ryder

Pictographs in an adjacent valley show a Changing of the World symbol and above it an animal within a red shield (above).

Enhanced photograph of the Third World Glyph shows more detail. A feminine face appears in the Medallion of the Earth necklace (left).

gLYPHS FADING FAST

Very little has been published in the public domain. A Crow Tribal Archaeologist told me that all of his research had been classified. My take is that this knowledge belongs to all of us. It is our history.

I was instructed by several Elders from many tribes to take this knowledge out to the world so it would not pass away when they passed over. The Elders knew that it is essential that the Western Mind understand the Original Instructions of how to care for our earth at this time of the Changing from the Fifth World into the Sixth World of Crystal.

Traditionally the glyphs were re-painted in ceremonies as the stories were retold in the oral tradition which kept the knowledge alive. According to the archaeologist these glyphs were made around 1100 by the Navajo who passed through Montana. I would argue that they are much older and were re-painted last near the time the carbon dating indicates.

The same knowledge of the Changing of the Worlds is held by Indigenous People world wide according the the Navajo Headman, Leon Secatero and Warren Ramey, Cherokee Wisdom Keeper and Principle Chief. This is how I recognized the glyphs and then brought the photos to the Elders.

These glyphs have faded as shown by the original photo. I have boosted the colors with a photo program so that the knowledge can be preserved in digital form. The cerulean blue abstract horizontal incursions occur in the sandstone naturally. We found the same type of coloration high on an adjacent sandstone pillar.
The original sandstone has been polished to a find sheen where the glyphs were painted.

PICTOGRAPH SHOWS ASTEROID

This petroglyph in New Mexico shows an asteroid entering our solar system as described in the Third World pictograph in the valley in Montana.
Photograph by Julie Ryder

CHANGING OF THE WORLD SYMBOL

Changing of the World symbol enclosed in a circle near the asteroid glyph in New Mexico.
Photograph by Julie Ryder

PRYOR ECLIPSE SITE IN MONTANA, USA

On May 20, 2012 Bill and I visited the Vision Wall (See Shamanic Journeys Page for details).
We suddenly understood that multiple cultures and tribes recorded their visions in this area. Older renderings were close by. We made offerings of gratitude to the guardian spirits and then journeyed south.

Synchronisic events led us to a petroglyph site in an obscure canyon in the middle of nowhere. We named the area Pryor Eclipse as were accessing the glyphs during a lunar eclipse of the sun.
We have a feeling that there are more glyphs beyond this.

On April 7, 2016 Subhashis Das wrote on my FB page regarding this petroglyph:
"The icon is indeed that of a pregnant woman who is giving birth.
Such child producing motifs are very common in rock arts around the world. These icons are believed to be that of the Mother Goddess.

These symbols are still worshipped at home by us in India...although these are now ordained with Hindu Goddess names today, these are definitely pre-Hindu. None know the purpose of these motifs today.

But scholars across the world do know that veneration of these fertility motifs was meant to enhance the fertility of women and even that of the farming land."

Photograph by Julie Ryder

Rays emanating from the heads, hands and feet denote that these are renderings of the Light Beings.
Phhotograph by Julie Ryder

A human figure kneels before a ray ovoid with a hook. This same configuration appeared in the dark crystal skull. See Crystal Skull Page.
Photograph by Julie Ryder

wounded man pictographs

Shamans have recorded their visions on rock for tens of thousands of years. Paintings and glyphs of their visitations to alternate realities are similar throughout the world.

Pictographs and petroglyphs are often maps of specific locations in the Spirit World as well as the entry and exit points. A singular cave is the entrance to a specific realm in the Spirit World used by shamans for centuries to access the knowledge and power of the particular designated alternate world.

The Wounded Man pictograph in Montana, USA has been painted at a 37 degree angle under a solar calendar map. Earth is the third planet from the sun as shown by the sun surrounded by three orbits and the Shaman below traveling to the "underworld". A line connects the Wounded Man to a bear claw forming the sixth claw indicating that this shaman shape shifts into a bear.

This large pictograph site is near our home in Montana and we photographed it on February 17, 2012.

Wounded Man Images

Wounded man image at pictograph site in Montana, USA.
Photograph by Julie Ryder

Wounded Man images are found in glyphs in France which are 27,000 years old.

San Tribe wounded man figure, Eastern Free State, Africa.
See the book Supernatural Meetings with the Ancient Teachers of Mankind by Graham Hancock. Chapter Four: The Man in the Cave

Shamans often report the sensation of electrical sparks shooting through their body "like arrows piercing" them. I have personally experienced these piercing sensations when crossing the veils between dimensions during shamanic journeys. Wounded man images are found depicted in Shamanic cultures in Montana USA, France and Africa.

ECSTATIC TRANCE POSTURES

This depiction is from the shaft scene in the cave at Lascaus, France painted around 30,000 years ago. This is some of the oldest art in the world.
Note that the figure is positioned at a 37 degree angle just as the shamanic figure in the pictograph in Montana.

Anthropologist Felicitas Goodman has done extensive work on ecstatic body postures demonstrating evidence of shamanic trance states where the trancer is positioned at 37 degrees.

"This very precise angle was a hallmark of spirit-journey postures performed by hunters, especially for journeying to the sky world...This same posture turned up later in Egypt in the drawing of Osiris {who} underwent a typical shamanic initiation in which his body was dismembered and then reassembled by his sister before he made his spirit journey to the Upper World." See Ecstatic Body Postures: An Alternate Reality Workbook, by Belinda Gore pages 173-175).

Figure of Osiris is at a 37 degree angle. (See Where Spirits Rider the Wind by Felicitas Goodman p. 59).

The Wounded Man pictograph in Montana was depicted at a 37 degree angle under the glyph denoting the solar locations. Shamans travel to the "underworld" to seek their spirit animal guides and ally.

Deborah Milton taught us about Ecstatic Trance Postures at a gathering at the Blacktail Ranch near Wolf Creek years ago. I find it an interesting synchronicity that while we were experiencing the power of trance postures these same shamanic instructions had been painted in a pictograph site a few miles away as the hawk flies.

When we recline on this rock during a Shamanic Journey the angle is the same ecstatic trance posture of 37 degrees.

The Shaman Rock is located on the Torus North Grid Line just below a pictograph site in Montana. Leon Secatero came to Montana and read the glyphs.
See Ancient Pictograph Page.

ENTOPIC PHENOMENA

Nested concentric circles depicted of a complex panel of glyphs found in a canyon above the Shaman Rock near Helena, Montana, USA.

David Lewis-Williams writes that the geometric shapes depicted in rock art represent glowing images known as entopic phenomena. (See Shamanic Journeys). These are experienced as visual images of dots, zigzags, grids and nested curves that appear in subspace during the first stage of a trance.

During the second stage of the journey the shapes are translated into mundane objects in everyday life such as animals, water, or rocks which the Shaman communicates with. Spirit allies or animal guides appear. In the third stage the trancer is pulled into a vortex/ torus/wormhole which is depicted by concentric circles, an arrow, or a crack in the rock.

Pictographs are illustrated maps of the shamanic journey. Shamanic tradition envisions a world combining the natural and the supernatural superimposed on one another. Human action in the natural world results in manifestations in the supernatural world . Actions of the Holy Beings or Spirit Animals in the supernatural world bring rain, drought, or good forborne in the natural world.

David Lewis-Williams has written extensively about the Shamanic tradition depicted in rock art in Europe and Africa. (See Clottes, J. and D. Lewis-Williams The Shamans of Prehistory: Trance and Magic in the Painted Canvas and Lewis-Williams, D, The Signs of All Times: Entopic Phenomena in Upper Paleolithic Art.)

FOUR FINGERED ONE PICTOGRAPH

A few miles upstream this female figure hold up four fingers on her left hand indicating that she is a Four Fingered One. Surrounding her is the trajectory of the journey from a five-star solar system that was hit by an explosion as demarcated by the eruption on the left side of the sun circle.

This pictograph site is located on a tributary stream that flows into the Missouri River in Montana.

SOPHISTICATED ART PICTOGRAPHS NEAR HELENA, MONTANA

Painted on a granite rock wall at the entrance of a canyon near Helena, Montana in the USA are unusual pictographs illustrated in the medium of red ochre. Other sites I have discovered in the area so far are individual glyphs or simple depictions. These are sophisticated paintings using characteristics
of the rock wall to enhance the dimensions of the illustrations of real things such as a bird head, a fish, and a human type figure.

Emerging from a crevice is the largest figure that appears to be a horse extending a leg to cover an anomaly in the rock face that looks like fingers and toes in relief. Facing the Thunderbird figure appears to be a human with his arms raised.

I took these photos in 2011 and since then have stared at them for hours... totally perplexed. This site is unknown and not registered. I have enhanced the color on some photos.

PICTOGRAPHS ALONG THE CLEARWATER RIVER

Martha Oatman is a traditional Nez Perce woman and a Sundancer. We first met in this lifetime at a Lakota Sundance on the Pine Ridge Reservation in South Dakota. She recognized me as a sister from another lifetime and gave me the traditional gift of sacred medicine. Martha has been my guide and mentor for many years.
See photographs of Martha's conversation with an Eagle on the Blog Page dated April 2, 2012.

Martha and her companion guide me to a pictograph site along the Clearwater River.

We are discovering that ancient sacred ceremonial sites are placed at the nodal points of the earth energy grid. Along the ley lines are pictograph, petroglyphs, dolmens, mountain peaks, hot springs and rock configurations. Mapping the energy grid has led us to clues in the puzzle of rediscovering the knowledge and energy based technology used by the ancient ancestors and the Native American Indigenous people.

A lightning bolt glyph connects to the right ear with a superimposed circle . See lightning bolt image that appears in the crystal skull on the
Crystal Skull Page.

The white paint enclosed in the teardrop shaped eyes reminds me of the white eyes painted on the heads in Easter Island.

A Bighorn sheep image appears on the same panel.

This image captured my attention when it appeared as a hologram in the dark crystal skull. See this photograph on the Crystal Skull Page.

PICTOGRAPHS NEAR HOLTER LAKE IN MONTANA

Five long fingers without a thumb are depicted on this pictograph near Holter Lake in Montana, USA.

FIRST PEOPLE'S BUFFALO JUMP SITE

A willow sweat lodge frame holds sacred space on a high ridge overlooking a buffalo jump site north of Helena, Montana in the USA.

A natural rock bridge overlooks the pictograph site where the five fingered one appears.

View from the top ridge of the Buffalo Jump.

Patrick Marsolek guides explorers to use intuition to access sacred sites. This photo shows a glyph panel across a stream from natural rock bridge.

A faded painting honors the buffalo. This pictograph is at the base of the ridge below the sweat lodge.

My first Native American teacher, Vivian Harrison, at a petroglyph site near the Columbia River.

'Good Vibrations'

Spiral and Hand Petroglyph / Human Cochlea / Low-frequency Sound / Communication / Sound Healing / 'Sound Hunting.'
(Sound) Communication - (Sound) Healing - (Sound) Hunting

Petroglyph animals 'touched' by petroglyph spirals or in the vicinity of petroglyph spirals are not moving as a result of temporary sound paralysis and thus 'easy prey.'
https://www.sciencedaily.com/releases/2000/12/001201152406.htm

The fingerprints of 'Healing Hands' are the connecting 'Spirals.' The human hands and fingers are the most sensitive parts of the human body - each fingertip has more than 3,000 touch receptors. It will come as no surprise that this was already in use in Ancient Egypt by means of a 'healing touch method' with two fingers.
https://www.facebook.com/groups/366752000086309/about/

https://www.independent.co.uk/life-style/health-and-families/health-news/healing-hands-put-to-scientific-test-634223.html
— with Shahrzad Awyan.